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Red Bird Rising releases “My Revolution,” song of profound love while strongly anti-war

By on February 15, 2023

The greatest writing comes from urgent need, and it is just such a palatable sense of urgency that motivated musician, songwriter and producer Diedrich Donald Weiss, known by his musical alias RED BIRD RISING, to write “My Revolution”. “My Revolution” is at once a profound love song and an immense anti-war statement. A tremendous undertaking and community effort, “My Revolution” features a wide range of instrumentation and musical collaborators, including Ukranian husband and wife Taras Kuznetsov on lead vocals and Ana Pshokina on bass.

“I believe in the magic that only exists when two or more artists engage
themselves fully within the natural energy of music.”

“I have a world worn faith in the power of music to significantly change people’s lives.”

As if the powerful composition, fearless lyricism and ample musicianship on display wasn’t enough, an official music video was filmed in Odessa under threat of bombing by Russian missiles. Even during times of war, the creative impulse survives, defying those who would wish to snuff it out.

Watch the official music video.

My Revolution – The Song: 
Diedrich Donald Weiss shares how “My Revolution” came about.

I have a world worn faith in the power of music to effect people’s lives positively. It’s from this place that inspired me to write “My Revolution” in response to the Russian invasion of Ukraine. It may be naive to think a song could in any way substantially effect something as dominating as this horror, yet it was my answer to the inner question, “what can I do?”.

I initially thought of the invasion as life or death. Soldiers, tanks, missiles, guns, blood. My mind touched the images and information coming in and it quickly separated to protect me from the intensity. It filled in the blanks with past wars in modern history. But the battle is not what this song is about.

Connecting to Taras Kuznetsov to pursue fulfilling “My Revolution” ported me into a day to day contact with a civilian experience unique to anything that has come before in modern war. This invasion is barbaric, highly personal, and specifically targets civilians to create terror and leverage surrender.

My Revolution is about a man stuck against a force dominating his life, his dreams, and adapting his mundane but simple comforts into necessities in order to cope. And this man is not fictional. He is Taras Kuznetsov, a 32 year old full time remote freelance vocalist, producer, arranger, audio engineer, drummer and pianist. The time of the scene of the song is March, 2022, about 6 weeks after the first Russian military intrusion of sovereignty. The location is Odessa, the port city crucial to access to import and export of vital goods and artistic soul of Ukraine.

Because Taras is the subject of “My Revolution” and the lead vocalist, I wrote the lyrics as if I were him, using factual information of what he is contending with in this early stage of the invasion. The chorus which sings, “my revolution begins in my world within” is anthemic and specifically an answer to the question, “what can I do?”. The external world is much beyond his control. But Taras’ inner world is where he can find stability and strength to contend and keep moving forward in his life and as person. He can change, adapt, resist and grow. He sings in the second verse, “good, good they haven’t yet bombed my home, but I can not go out, so I rule my own house, work like a bee in honeycomb.”

Perhaps the only reasonable explanation for the invasion is Putin’s retaliation for the Orange Revolution of 2014. Students and activists dared to challenge the authority of oppressive government puppeteered by Putin. The Ukrainian revolutionaries liberated Ukraine, and in becoming a free democracy, embarrassed Russia globally. That is why Taras felt it important to include footage of this history near the beginning of the video for “My Revolution”. It is the full modern context of Russian abuse of their country.

But 8 years later, Taras’s country is now in this moment as you read being grazed with genocidal terrorism. After weeks of alarm sirens without being struck, the threat of missiles and bombs live as abstract. The danger exists like vultures and gargoyles circling the sky of his psyche. The opening scene of the video for “My Revolution” was shot from inside his apartment in Odessa bringing us into the chilling feeling of the alarm sirens ricocheting off the buildings in the otherwise silent night.

Rationally, he should leave Ukraine. He sings in the opening verse, “passport be damned, take all I can, get out now like I should.” As a man, he can’t legally leave Ukraine. And like many who due to physical conditions are not eligible for military service, he gets access to a gun for personal safety and sings, “I was given a gun, I can take out some Russians, bring those reptiles down.” If Russians were to enter Odessa, he says he would use this gun, but what can he do in the meantime? In the third pre-chorus he sings, “I can’t just go along, I can’t just sing this song” while in the video, he and his wife Ana are in their studio working on music.

Taras is aware of the missiles and bombs, aware of the rape and torture happening in occupied cities and towns. He is a well informed, thoughtful man, who loves his country, yet what will he do? What can he do? It is a moment to calibrate inside himself and chose how to respond in the large context of his own singular inner life. This tension within is expressed in the video through the exquisite dance sequences of Melina Acune where she struggles and leans into the fight to find grace within.

The song gets to the heart of what matters most to him in the bridge. “If it wasn’t for you, you are enough, my love”. His wife Ana, whom also plays bass guitar on the track, chose to stay with Taras in Odessa rather than flee to neighboring countries. Together, they are united to survive, yet what makes them extraordinary artists is that they are determined to keep moving forward with their music. They understand that music is what they need to contend and thrive. He sings, “I can’t lose my mind checking the headlines, play my piano instead.” Music is their sanctuary.

Music is also their source of a powerful union with a strength within. In the words of Taras, “Music is about me and I’m all about music. Throughout my career I’ve been and I continue to be a pianist, keyboard player, drummer, singer, sound engineer, mastering engineer and sound producer. And I’ve just only started. I have a beautiful bass player and singer wife, Ana Pshokina and we’re going to share our music with the world. The time has come.”

Ana expressed her reliance on music during the invasion on an Instagram post. She wrote, “I’m still alive. I have a warm dinner and an undamaged home. I have no words to express my gratitude for our soldiers for the opportunity to keep practicing and working. Music is my only weapon. Music is almost the only thing that can distract me from the news. Music can help draw attention of the people from other countries to the real situation in Ukraine. I want to share it with you as long as I have this opportunity.”

If you want to know more about Taras Kuznetsov, you can find all his profiles and music here https://linktr.ee/taraskuznetsov

If you want to know more about Ana Pshokina, you can find all her profiles and music at https://linktr.ee/ana.pshokina

The Making of “My Revolution” – Recording & Video
An original song and video by RED BIRD RISING featuring musician Taras
Kuznetsov contending with the Russian invasion living in Odessa, Ukraine.

“I believe in the magic that only exists when two or more artists engage
themselves fully within the natural energy of music.”

“I have a world worn belief and faith in the power of music to significantly
change people’s lives.”

Diedrich Donald Weiss wanted to do something in response to the invasion of Ukraine by Russia. An artist from Minneapolis, MN living in Colombia, South America has little influence from a far.

But Weiss wrote “My Revolution”. He shared it with producer, musician and mixing engineer Mariano Cukierman whom he’d recently collaborated with on a song. Cukierman, an Argentinian whose studio is in Buenos Aires, agreed it would be right to find an artist in Ukraine to sing it.

Weiss discovered Taras Kuznetsov’s profile on the remote musician website SoundBetter. He liked Kuzentsov’s vocal on his profile song and searched the internet to find that he and his wife Ana Pshokina are experienced live performers and studio recording artists. They could fulfill the project professionally, but there was the issue of recording during invasion conditions.

Weiss contacted Kuzentsov to learn that his studio was accessible for recording. Kuzentsov, whom speaks native level English, also felt the music fit his voice and taste and that the lyrics of “My Revolution” authentically expressed his experience. The project started to gain momentum.

Back in Buenos Aires, Cukierman took Weiss’ demo of “My Revolution” and recorded rhythm guitars, organ, electric piano and scratch bass guitar. He added fellow Argentinian Fernando Moreno on drums while keeping Weiss’ electric guitar riffs, electric piano intro melody and his backing vocals. Cukierman created a polyrhythmic rock groove with uniquely voiced guitar parts in a version that elevated the core of the track’s rhythm bed.

Hereafter, “My Revolution” came to full life in Odessa as Kuznetsov recorded lead vocals in their professional studio with Pshokina recording bass guitar. The spine of the song now completed, Kuznetsov developed a demo string arrangement to augment the dramatic movements of the track.

Weiss had previously worked with string arranger and violinist Megan Gould who lives in New York. After discussing ideas and approaches, Gould wrote the string arrangement performing on violin and viola with sessionist Eleanor Norton on cello.

With all tracking complete, Cukierman mixed the song over four sessions. Weiss participated over video chat with notes he and Kuznetsov prepared. Cukierman in real time executed the vision they together had evolved.

Early on in the project, it became clear to Weiss that a video would be most powerful to express Kuzentsov’s experience. He shared his idea with Cukierman and he connected Weiss to filmmaker Flor Giardino in Buenos Aires. Giardino had recently made a short film with dancer and choreographer Melina Ascune called Exclama. When Weiss viewed this film on Giardino’s website, the connection between the dance and the inner experience of the song’s lyrics was uncannily synchromatic. Even more, the location of the shots on the rocky banks of a large body of water in Buenos Aires looked similar to the shores of Odessa on the Black Sea. Giardino and Ascune gave Weiss permission to use the Exclama shots in the video. 

Kuznetsov and Weiss then collaborated on the story for the video. Kuznetsov and Pshokina shot in multiple locations in Odessa. From here, Weiss edited the video using the Exclama dance shots, the Odessa shots from Kuznetsov and Pshokina, and footage found from sites such as Dattalion, which is an archive of video stories documenting the invasion, and Ukraiine Today on Telegram, the frequently used social media site for people sharing about the invasion. Giardino as Colorist then completed the final master of the video.

The video production in Odessa called for video to be shot in public, both during the day, and at night. The bombings by Russian missiles to Odessa’s energy infrastructure after the explosion on the Crimea Bridge made collaboration on the video more difficult with Taras having less access to electricity and internet. But when there was electricity and internet, Taras and Diedrich together fulfilled the visual story that felt needed to be told.

Naturally, personal connections evolved with such commitment and trust essential to creating what is a deeply personal and artistically powerful piece of music and video. At the heart of this project is each artist, from Colombia, Argentina, the United States, and Ukraine, rising to pull everything they as artists have within them engaging personally and passionately as if all in one studio together.
March 2022 – December 2022
* No music samples were used in this recording. All performances are by instrumentalists listed in the credits.

Lyrics
There are days I dream of leaving for good
Passport be damned, take all I can
Get out now like I should
Poor me, my life is stuck underground
Well I was given a gun, I can take out some Russian
Bring those reptiles down
My revolution, My revolution begins
My revolution, My revolution begins in my world within
There are times you know we all need a rest
Can’t lose my mind, checking the headlines
Play my piano instead
Good good, they haven’t yet bombed my home
But I can not go out, so I rule my own house
Work like a bee in honeycomb
My revolution, My revolution begins
My revolution, My revolution begins in my world within
If it wasn’t for you, you are enough, my love
If it wasn’t for you, you are enough, my love
I can’t just go along, I can’t just sing this song
My revolution, My revolution begins
My revolution, My revolution begins in my world within

Songwriting & Production
“My secrets, especially those I protect from myself, are always trying to be told to me privately through music.”

“I believe in the magic that only exists when two or more artists engage
themselves fully within the natural energy of music.”

“Vibe is definitely an element I’m listening for as I work. Hopefully a sonic
narrative emerges and then I’m in a realm that only exists in music.”

Many songwriters write in bunches coming from a similar voice. The songs take on a consistent feel and perspective. I’m compelled to go deeper and deeper into one song so it becomes a distinct world unto itself. A creature separate from me yet I carry inside myself. Mostly, I write in the voice of someone else from song to song. Within creating their stories I discover revelations I needed.

My secrets, especially those I protect from myself, are always trying to be told to me privately through music. When creating in pre-production, I have an intention of listening for a cinematic movement to how the lyrics and melody are accompanied. I want the story to be told inside an imaginary location and scene as visual as a moving picture. To me, the song itself is the lyrics, structure, and melody, but also the character of atmospheric vibe. Vibe is definitely an element I’m listening for as I work. Hopefully a sonic narrative emerges and then I’m in a realm that only exists in music.

I’m not committed to a consistent “sound” to my productions. I think it’s ok to have entirely different sonic characteristics for each song. I’m open to collaboration beyond the bones and character of a song for a more diverse and kinetic production process. I believe in the magic that only exists when two or more artists engage themselves within the same endeavor.

The production of a song is where collaboration begins. Remote collaboration puts a boundary around the relationship to being solely about creating the music. There isn’t the extraneous that usually accompanies in-person collaboration within a music community or band. The bulk of the correspondence is in writing, voice messages and sharing of tracks. It’s highly intentional, focused, and occurring in an abstract non-physical world that music itself resides in.

Releasing singles rather than working on full length albums is more in synch with how I approach material. Choosing a producer and mixing engineer is an inquiry into finding if they have artistic sensibilities to hear the soul of a particular song, not hear me as an artist encompassing all of my material. Together we begin a journey to hit certain targets of expression, but also into the unknown.

“My Revolution” is significantly different in production and process than songs currently in production to be released soon. Purposely each has a different producer. And if I feel another lead vocalist is better than my own voice to represent and express the story and music, than I search for this artist. That is what I chose to do with “My Revolution”, naturally, as it’s directly about a man in Ukraine in this unique moment of historic and personal confrontation. I was fortunate to find Taras Kuznetsov to sing and guide me on creating something authentically his story inside both the audio track and video. To have even found him speaks to the inception of the magic that can happen in collaboration. 

Websites:
Instagram: @Redbirdrisingmusic
Spotify: Red Bird Rising
Youtube Channel: Red Bird Rising @redbirdrising5734
Artist Contact Email: redbirdrising@gmail.com

Artist Biography:
Diedrich Donald Weiss, in his words, has a, “world worn faith in the power of music to significantly change people’s lives.” 

From 2009 – 2015, Diedrich took on a project of great impact and compassionate scope, performing songs each Friday for patients, family and staff in the cancer and mental health unit of Fairview Southdale hospital in Minneapolis, MN. Diedrich’s day job at the time was booking original music and art for a locally owned franchise chain of cafes. One Friday he arrived to the cancer unit to see a musician whom he’d booked many times. 

Tim had late stage cancer and rolled out of his room in his wheelchair and IV tree to greet him. 

The next Friday Diedrich arrived to again see Tim roll out to greet him, but this time he had his baby Taylor acoustic guitar. Diedrich strummed chord progressions for Tim to solo. Slowly a crowd emerged. People and staff from other floors began to fill the hallway and the electricity of a private spontaneous show filled the energy. They played for 45 minutes continuously, and despite Tim’s d-string breaking, he continued to play with fire and focus. 

As Diedrich learned after, Tim knew this would very likely be the last time he’d play music. The following Friday, Diedrich learned Tim had died leaving 4 children and his wife behind. 

During these years, Diedrich recorded 4 solo studio albums, engineered and produced 5 albums for other artists, and performed guitar and vocals as a studio musician. One record of his is Public Songs For Private Use which music critic Chris Riemenschneider of the Minneapolis Star & Tribune wrote, “His music is pretty damn compelling, with traces of Richard Thompson and Jeff Buckley and an obviously deep emotional well.” 

In the years since 2015, Diedrich travelled working remotely while continuously writing and producing demos for over 3 albums worth of material. His travels took him to the coast of Colombia on the Caribbean beside the Sierra Nevada mountains where he settled and built his recording studio. Creating under the alias RED BIRD RISING, remote collaborators on Diedrich’s songs range from Ukraine, Argentina, France, England, Croatia, Brazil, South Africa, and the US. 

My Revolution is the first RED BIRD RISING release and features Taras Kuznetsov on lead vocals and video co-director about his contending with the Russian invasion living in Odessa, Ukraine.

 A sense of great urgency prevailed throughout the music and video production of My Revolution inspiring all collaborators to work fast inside of imminent threat of missile and bomb strikes derailing the project and possibly resulting in Taras’s death. 

In Buenos Aires, producer Mariano Cukierman took Diedrich’s demo of My Revolution and recorded Fernando Moreno on drums, tracked electric guitar and keys using Diedrich’s guitar riffs and backing vocals. Without public transportation operable, in order to track lead vocals, Taras walked over an hour to his studio with the threat of missile and bomb strikes in these early weeks of the invasion in March, 2022. 

Thereafter in Odessa, Taras’s bassist wife Ana Pshokina tracked bass, while in New York, string arranger Megan Gould tracked violins and violas with session cellist Eleanor Norton. From here, Mariano, Diedrich and Taras collaborated on mixing My Revolution using audio from Ukrainian protests from the Orange Revolution of 2014 echoing history as guitar feedback harmonics soar through the track’s intro. 

The video production in Odessa called for video to be shot in public, both during the day, and at night. The opening of the video is shot from Taras’s apartment where you can hear, see and feel the chilling sirens ricocheting off the buildings in the otherwise silent night. 

Back in Colombia, Diedrich edited the video using shots Taras produced in Odessa and footage from sites such as the invasion archive site Dattalion and Ukraiine Today on social media’s Telegram. To express the inner struggle, Diedrich used dance scenes shot by filmmaker Flor Giardino in Buenos Aires of choreographer and dancer Melina Ascune. 

The bombings by Russian missiles to Odessa’s energy infrastructure after the explosion on the Crimea Bridge made collaboration on the video even more difficult. Despite Taras having less access to electricity and internet, he and Diedrich together fulfilled the visual story that felt needed to be told. 

At the heart of the My Revolution project is each artist from Colombia, Argentina, the United States, and Ukraine rising to pull everything they have within them to fulfill the vision of a personal story of supreme immediacy. 

Music Credits:
Songwriter/Diedrich Donald Weiss
Producer/Mariano Cukierman, Diedrich Donald Weiss
Mixing Engineer/Mariano Cukierman
Mastering Engineer/Pablo Peyrano, Greg Reierson
Lead Vocal/Taras Kuznetsov
Bass Guitar/Ana Pshokina
Electric Guitar/Mariano Cukierman, Diedrich Donald Weiss
Acoustic Guitar/Mariano Cukierman
Synth Keyboard/Mariano Cukierman
Electric Piano & Organ/Mariano Cukierman
Drums/Fernando Moreno
Backing Vocals/Diedrich Donald Weiss
String Arrangement/Megan Gould
Violin & Viola/Megan Gould
Cello/Eleanor Norton

Video Credits:
Producer/Diedrich Donald Weiss
Director/Diedrich Donald Weiss, Taras Kuznetsov, Flor Giardino
Writer/Diedrich Donald Weiss, Taras Kuznetsov
Editor/Diedrich Donald Weiss, Flor Giardino
Color/Flor Giardino
Video Music Mixing Engineer/Mariano Cukierman
Video Music Mastering Engineer/Pablo Peyrano, Greg Reierson
Actor/Taras Kuznetsov
Actor/Ana Pshokina
Dance & Choreography/Melina Ascune

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