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Maggie Antone: Sweetheart Spirit with a Rebel’s Edge
At 12:15 p.m. on the Big River stage, Maggie Antone sashayed out, her Dolly Parton-esque voice and fiery charm captivating a packed crowd. Her vibe: cute, sexy, and twangy, with a bold toast (“Here’s to the ones I love, to the men who love us, and to the men who don’t,” with a middle finger) and theatrical flair in “Me and Jose Cuervo” and “Johnny Moonshine.” Her Smokey and the Bandit medley and “Rhinestone” were highlights. For me, Antone’s retro-modern sparkle made her a Day Two jewel. I’ve seen her three times, and she’s going places.

Background and Bio:
Nashville’s Maggie Antone broke through with her 2023 debut album Rhinestoned, featuring hits like “Johnny Moonshine” and “Suburban Outlaw.” Her blend of classic country and indie grit evokes Dolly Parton and Kacey Musgraves. She’s played Bonnaroo 2024 and earned a 2024 Americana Music Award nomination for Emerging Act. Her music’s appeared on Spotify’s Indigo playlist, and her Two Step Inn slot alongside Alan Jackson highlights her rise. No TV or movie credits are noted, but her star is ascending.

Performance Review:
Antone’s set was a dazzling blend of charm and defiance. Her Dolly-like vocals soared on “Rhinestone,” a fan favorite from her debut, with the large, engaged crowd. Her toast during “Me and Jose Cuervo,” complete with a middle finger, was a riot, sparking cheers and raised beers. The Smokey and the Bandit medley to introduce her band was a nostalgic hit, blending ‘70s swagger with her playful energy. “Johnny Moonshine” was a theatrical peak, Antone strutting and winking through lyrics about smoking and drinking, embodying the song’s stoner spirit. The crowd fed off her energy, singing along to “Suburban Outlaw.” Her ability to channel Dolly’s warmth while flashing a rebel’s edge made the set unforgettable, a perfect Day Two moment under the Texas sun.
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